David Gilmour thrills fans with obscurities

[BlackWolf]

David Gilmour and friends began Wednesday's show at the Kodak Theater with a can't-miss mini-medley from "The Dark Side of the Moon," splicing "Time" into "Breathe" and tossing in some of the "Money" cash-machine effects.

It was an unapologetic classic-rock kickoff, but this three-hour tour of Gilmour's career was much more than bong fodder for the casual Pink Floyd fan.

The singer-guitarist referred to that opening salvo as "something to get you warmed up." It predictably did, drawing a wild standing ovation. Gilmour then told the mostly graying crowd to "sit back and relax" while the band played "On an Island" -- his third solo album for Columbia and first in 22 years -- in its entirety. Although a mild murmur of grumbling could be heard as the patrons retook their seats, the ensuing 70 or so minutes could hardly be tossed off simply as patience-testing filler between Floyd classics.

The new disc might not be a landmark recording, but Gilmour certainly can't be accused of hanging on in quiet desperation. Often reminiscent of post-
Roger Waters Pink Floyd, "Island" is a lovely if not instantly memorable song cycle with a recurring theme of water; in concert, its laid-back rhythms, gently evocative orchestration and intermittent smooth-jazz leanings conjured a barefoot beach stroll.

Backed by a crack band that featured Floyd bandmate
Richard Wright -- with occasional backing vocals by
David Crosby and
Graham Nash -- Gilmour started out in rather rough voice but gained strength during the show. He switched instruments often, moving from electric to acoustic to steel guitar and taking turns at Dobro and the banjolike cumbus. He even had a solid go at saxophone during one of the new album's three instrumentals, but that was overshadowed when veteran Floyd collaborator **** Parry showed his sax chops.

Gilmour, who turned 60 last month, often is overlooked amid the slew of brilliant guitarists who emerged from England in the mid-'60s, but his singular style is instantly recognizable. New and classic solos were precise and deliberate, alternatively soaring and diving, and they echoed around the high-ceiling hall.

After a 15-minute break, the second set seemed aimed at Pink Floyd's most ardent longtime fans. Careening yelps of recognition greeted the bluesy guitar intro to "Shine On You Crazy Diamond," with Crosby and Nash returning to lead the crowd in a full-throated sing-along of the title line. Eschewing his other solo albums, Gilmour led a Floydian trip through obscurities like the band's 1967 debut single "Arnold Layne," along with 20 minutes of genuine head music in "Echoes" and such radio-worn classics as "Wish You Were Here" and show closer "Comfortably Numb," which featured an extended take on Gilmour's most famous solo.

There were many similar-sounding melodies and meandering instrumental passages -- gripes to which any Floyd nonfan can subscribe -- but no floating pigs or towering walls, though there were some mid-tech lasers near the end. The show couldn't be called start-to-finish riveting, but its high points showed the undeniable craft and musicianship of a rock legend.

[SilverSpoon]

His shows always sound so amazing! I can't believe I skipped out on his concert when he was here last month...damn money!

Yes,saw gilmour on the post roger waters pink floyd tour in 1988.He is an amazing performer and musician.I like the new solo stuff,but I don`t enjoy it as much as his two previous solo efforts,though I do like the new one more each time I listen to it.Am trying to get tickets for the new tour as he is playing about a 100 miles from where I live.The show is allready sold out,but I have found tickets available,just have to be willing to fork over the massive amount of cash for them.It would probably be worth it.also,saw gilmour,with nash and crosby,on jay leno last night doing the title track from the new album,luckily I had a blank disc ready in my dvd,and got it recorded.good stuff.