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| Administrator ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() | I didnt get it yet, just didt get to the store, but there is no doubt I will. I find one of the best places to buy DVDs is Blockbuster, just 2-4 weeks after the DVD comes out, they sell off the rented inventory, sometimes for >$5. O, at Blockbuster, Sydney White has the entire shelf by the way. I was suprised. |
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| | #7 (permalink) |
| Newbie | Here is the deleted scene we are talking about. http://rapidshare.com/files/86043001...Scene.mp4.html |
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| | #12 (permalink) | ||
| Newbie | Quote:
Universal probably had the money for it, but they probably figured it wasn't worth the investment to push another company's movie. On the other hand, if Morgan Creek is a subsidiary, then I have no idea why Universal didn't support it more. Quote:
The DVD has a whole bunch of featurettes. They're all pretty good. It's a shame the movie didn't do better because you can tell from the behind-the-scenes stuff how interesting the cast is. The 7 dorks didn't get a huge amount of screen time in the actual movie. I'd like to see those guys again in a sequel, but of course that will never happen. I like the guys who play Lenny, Spanky, Gurkin, and Terrence. Funny dudes. | ||
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| | #13 (permalink) |
| Bynes=Love ![]() ![]() ![]() ![]() ![]() ![]() ![]() | I also wish they would have put in the last scene. It was better than some of the stuff they chose to keep in there, like the keg stand. I don't really know why that was important to the movie other than showing that he knew how to figure stuff out with numbers or whatever but we already knew that. |
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| | #14 (permalink) |
| Administrator ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() | I agree that is was bad marketing. It was Universals responsibility to market it. They barely advertised it. They made it PG13 and about college, which turns away some kids and families, then the ad that they showed on TV the most, was one of the least funny and probably most goofy scenes in the movie which turns away some older viewers. <I think you know which one im talking about, it was the part with the dream sequence when there acting out the dungeons and dragons fight, it didnt tell anyone what the movie was about. I feel bad because it was a pretty good movie. |
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| | #18 (permalink) | |
| Newbie | Quote:
Seems like they didn't bother to market the movie to actual theater-goers because Morgan Creek would have gotten most of the ticket money anyway. (The theaters take half, and the production company probably gets most of the other half.) Universal might have only been the distributor, in which case they probably got a certain amount of money based on how many screens the movie played on. Maybe they don't get much extra money based on how many tickets people actually buy, so they weren't motivated to spend money on advertising. | |
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| | #19 (permalink) |
| Administrator ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() | ^ Theaters get to keep about 10% or around $1 per ticket on average for the first 2 weeks of release (during that time, with the big crowds, they make there money on concessions and on screen ads). Each week after the initial 2 weeks of release the % the theater gets to keep is increased. Specific details may be a little different from company to company but its generally the same for all the major studios and theaters country wide. Now for the Distributor and Producer, when the movie is made buy an independent producer, there are usually 2 ways it can happen. The distributor buys the total rights to the movie or buys the rights to distribute for a specific area (say North America) for a set cost with the distributor getting all the profits from screening (this usually includes ancillary rights also), sometimes with a stipulation that if the movie makes over a certain amount the producer gets a %. The other way is that they share in the profits. The first way is much more common. It is then the distributors responsibility to market it and chose the screen count buy sending reels to theaters. A reel print costs about $2000 each and a new digital version that some theaters are using costing about $5,500. Major distributors like Universal have contracts with theater chains, so that they have screens on call whenever they need them. If Universal asks for 2000 screens for opening week, the theaters must give it to them. I think Disney has the most screens under contract, over 8000. Independent theaters go through and contract with a distributors buying agent, usually getting a little worse of a deal. -------------------------------------------------------------------- In the UK the system is totaly different where it does have something to do with renting prints. The simple reason is Universal didnt have confidence in the movie, its why they released it on a terrible date and made little effort to promote it. Last edited by open32; 02-01-2008 at 01:06 AM.. |
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