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| JOHO ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() | I thought this poem was a fitting start for a poetry thread INTRODUCTION TO POETRY. I ask them to take a poem and hold it up to the light like a colour slide or press an ear against its hive. I say drop a mouse into a poem and watch him probe his way out, or walk inside the poem’s room And feel the walls for a light switch. I want them to waterski across the surface of a poem waving at the author’s name on the shore. But all they want to do is tie the poem to a chair with rope and torture a confession out of it. They begin beating it with a hose to find out what it really means. Billy Collins |
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| Perennially Disgruntled ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() | Honestly, not the world's biggest fan of poetry.... Although some I don't mind. One that sticks out for me is this one by Dylan Thomas (I love my overly masculine, alcoholic writers, don't I?) Song by Dylan Thomas Love me, not as the dreaming nurses My falling lungs, nor as the cypress In his age the lass's clay. Love me and lift your mask. Love me, not as the girls of heaven Their airy lovers, nor the mermaiden Her salty lovers in the sea. Love me and lift your mask. Love me, not as the ruffling pigeon The tops of trees, nor as the legion Of the gulls the lip of the waves. Love me and lift your mask. Love me, as loves the mole his darkness And the timid dear the tigress: Hate and fear be your two loves. Love me and lift your mask. Yes Beefheart the Buffoon, I know you think its crap, but I adore this poem, so you can go get stuffed :P |
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| My Eyes So Soft Don't surrender your loneliness so quickly let it cut more deep. Let it ferment and season you as few human or even divine ingredients can Something missing in my heart tonight has made my eyes so soft my voice so tender my need of god absolutely clear. --Hafiz |
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| sla-pus a bit-chus ![]() ![]() ![]() ![]() ![]() | Come gather 'round people Wherever you roam And admit that the waters Around you have grown And accept it that soon You'll be drenched to the bone. If your time to you Is worth savin' Then you better start swimmin' Or you'll sink like a stone For the times they are a-changin'. Come writers and critics Who prophesize with your pen And keep your eyes wide The chance won't come again And don't speak too soon For the wheel's still in spin And there's no tellin' who That it's namin'. For the loser now Will be later to win For the times they are a-changin'. Come senators, congressmen Please heed the call Don't stand in the doorway Don't block up the hall For he that gets hurt Will be he who has stalled There's a battle outside And it is ragin'. It'll soon shake your windows And rattle your walls For the times they are a-changin'. Come mothers and fathers Throughout the land And don't criticize What you can't understand Your sons and your daughters Are beyond your command Your old road is Rapidly agin'. Please get out of the new one If you can't lend your hand For the times they are a-changin'. The line it is drawn The curse it is cast The slow one now Will later be fast As the present now Will later be past The order is Rapidly fadin'. And the first one now Will later be last For the times they are a-changin'.\ turst me, you dont wanna know what Bob Dylan knows. |
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| JOHO ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() | William Butler Yeats THE SECOND COMINGWilliam Butler Yeats. Irish. 1865-1939 This well -known poem was written at the end of Yeats' life, and just before the start of the World War Two. It has never lost its mysterious power. Turning and turning in the widening gyre The falcon cannot hear the falconer; Things fall apart; the centre cannot hold; Mere anarchy is loosed upon the world, The blood-dimmed tide is loosed, and everywhere The ceremony of innocence is drowned; The best lack all conviction, while the worst Are full of passionate intensity. Surely some revelation is at hand; Surely the Second Coming is at hand. The Second Coming! Hardly are those words out When a vast image out of Spiritus Mundi Troubles my sight: somewhere in sands of the desert A shape with lion body and the head of a man, A gaze blank and pitiless as the sun, Is moving its slow thighs, while all about it Reel shadows of the indignant desert birds. The darkness drops again; but now I know That twenty centuries of stony sleep Were vexed to nightmare by a rocking cradle, And what rough beast, its hour come round at last, Slouches towards Bethlehem to be born? ![]() ![]() |
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| Mu nótahu ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() | In a Station at the Metro - Ezra Pound The apparition of these faces in the crowd: Petals on a wet, black bough. Pound cheated, of course. In reading his poem without considering his explanation, you have no idea at all what it is he felt as he got off the Metro. At best he felt something. In his own way, all he's done is write "Ezra wuz here.". So through the use of descriptive language on how utterly inarticulate he found himself when trying to capture a specific connection he made in the privacy of his own head. I imagine this was a best effort at writing a poem that simultaneously documented his own feeling and tried to evoke the same feeling in the reader, the feeling itself having been simpler than the language he first tried to use to describe it. ![]() Last edited by Captain Beefheart : 11-27-2007 at 12:32 AM. |
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| Bloomin' crazy ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() | One of my favourite American poems: The Young Housewife by William Carlos Williams At ten A.M. the young housewife moves about in negligee behind the wooden walls of her husband's house. I pass solitary in my car. Then again she comes to the curb to call the ice-man, fish-man, and stands shy, uncorseted, tucking in stray ends of hair, and I compare her to a fallen leaf. The noiseless wheels of my car rush with a crackling sound over dried leaves as I bow and pass smiling. |
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| JOHO ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() | Anne Sexton WORDSAnne Sexton. 1928-1974. American. Anne Sexton is one of my favourite poets. She struggled with the big questions. She won the Pulitzer prize. Like Sylvia Plath, she committed suicide. Be careful of words, even the miraculous ones. For the miraculous ones we do our best, sometimes they swarm like insects and leave not a sting but a kiss. They can be good as fingers. They can be trusty as the rock you stick your bottom on. But they can be both daisies and bruises. Yet I am in love with words. They are doves falling out of the ceiling. They are six holy oranges sitting in my lap. They are the trees, the legs of summer, and the sun, its passionate face. Yet often they fail me. I have so much I want to say, so many stories, images, proverbs, etc. But the words aren't good enough, the wrong ones kiss me. Sometimes I fly like an eagle but with the wings of a wren. But I try to take care and be gentle to them. Words and eggs must be handled with care. Once broken they are impossible things to repair. ![]() |
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| Kiss My Pom Poms ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() | Quote:
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| JOHO ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() | ^Your Welcome. Phoenix, I have mixed emotions about that video/poem. I feel like the armed forces are not supposed to be warm and fuzzy, you are a trained soldier - in warfare in a situation of life and death there is no time to be reluctant, and as horrible as it is, you probably don't want to spend too much time thinking about how you've killed someone, I'm sure that would wreck your psyche-better just to see it as a job. Why did she join the ROTC anyway? Free college money? well...nothing is free babe. |
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This is why she says: "That was the day that I stopped ignoring That our practice targets were shaped like humans The words: chest, head, heart, brain, or life, were never used" What's interesting about this piece is that although she has reservations against military actions, she also has reservations against those supposed "protesters" who think it's trendy to be a radical. "I am no flower child I do not wear glasses down on the bridge of my nose I do not brag my unshaven hair or hold illusions about the wisdom of the East I do not wave my fingers in a V to bid peace upon greeting or think that the revolution alone will be enough to save us" Quote:
That's why: "Never, nowhere, anywhere: this is why no war." Either we ALL lay down our weapons, including us, or no one does. And no one will. Even if everyone but the U.S. draws down, no reason why everyone should if we still have the arsenals. Humans by instinct are predators. The more technology evolves, the more deadly humans become. That's the legacy and the future we leave to our children. Makes me doubt whether I should have any at all. Last edited by Avis Phlox : 12-10-2007 at 01:41 PM. | |||
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| il dolce far niente ![]() ![]() ![]() ![]() ![]() | This is a very simple & easy music poem written by an american guy. It's all about snow! But it's so musical. Out of the bosom of the Air, Out of the cloud-folds of her garments shaken, Over the woodlands brown and bare, Over the harvest-fields forsaken, Silent, and soft, and slow Descends the snow. Even as our cloudy fancies take Suddenly shape in some divine expression, Even as the troubled heart doth make In the white countenance confession, The troubled sky reveals The grief it feels. This is the poem of the air, Slowly in silent syllables recorded; This is the secret of despair, Long in its cloudy bosom hoarded, Now whispered and revealed To wood and field. http://www.christmas-time.com/ct-sno...longfellow.htm Last edited by Moshe.. : 12-10-2007 at 07:18 PM. |
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| JOHO ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() | Adrienne Rich November 1968 Stripped you're beginning to float free up through the smoke of bushfires and incinerators the unleafed branches won't hold you nor the radar aerials You're what the autumn knew would happen after the last collapse of primary colour once the last absolutes were torn to pieces you could begin How you broke open, what sheathed you until this moment I know nothing about it my ignorance of you amazes me now that I watch you starting to give yourself away to the wind ![]() |
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| il dolce far niente ![]() ![]() ![]() ![]() ![]() | This is a very couth poem. I remember this kind of conversation when too young and overimaginative - letting household objects speak to you. http://gnufans.org/~ilse/lit/plath.htm Mirror I am silver and exact. I have no preconceptions. Whatever I see, I swallow immediately. Just as it is, unmisted by love or dislike I am not cruel, only truthful – The eye of a little god, four-cornered. Most of the time I meditate on the opposite wall. It is pink, with speckles. I have looked at it so long I think it is a part of my heart. But it flickers. Faces and darkness separate us over and over. Now I am a lake. A woman bends over me. Searching my reaches for what she really is. Then she turns to those liars, the candles or the moon. I see her back, and reflect it faithfully She rewards me with tears and an agitation of hands. I am important to her. She comes and goes. Each morning it is her face that replaces the darkness. In me she has drowned a young girl, and in me an old woman Rises toward her day after day, like a terrible fish. |
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THE SECOND COMING

